More material from a black man trapped in a white body (sometimes and sort of). The former was my first stab at hip hop after getting my mitts on a Roland sampler (circa 1998). I had planned on using the musical nom de plume “Hype Machine” until I found out it had already been trademarked. The latter is a tongue-in-cheek homage and satire of DMX’s classic “My Niggaz”. And I might add that my throat was hoarse after mustering my best DMX impression for this one.